'chair with belly button' by wang i chao, part of the 'perpetual motion' collaboration between pratt institute and cappellini
image © armando rafael

the industrial design program at new york's pratt institute partnered with italian furniture design company cappellini
for the exhibition 'perpetual motion', which looks ahead to the future of furniture design. graduate and undergraduate
students presented their concepts to cappellini and a team of industry professionals, who selected nine of the strongest
designs for prototyping and exhibition at the international contemporary furniture fair 2011.

mark goetz, head faculty advisor of the industrial design program at pratt, elaborates:
'the premise of 'perpetual motion' is to look at the future of furniture design  by coming up with fresh, new ideas
that incorporate technology and sustainability and that potentially envision updates to classic designs for the future.

side view of 'chair with belly button', as used on a metal chair, with a second model used on a pile of books in the background
image © designboom

the lightweight 'chair with belly button' series, designed by taiwanese artist wang i chao, lets users more comfortably convert
common spaces and materials into seating options. the pieces are placed onto the floor, steps, other chairs, piles of books,
or any other sturdy surface to convert it into a place to sit.

'dmc-12' by edward hale
image © armando rafael

investigating 'how two elements can communicate a sense of enclosure', 'dmc-12', the work of new york designer edward hale,
features clean lines and an unconventional hinging structure that belies its function. a lacquered case is set within
powder-coated blue steel tubing, jointed so that the entire structure pulls forward and outward when the cabinet doors are opened.

full view of 'dmc-12' open
image © designboom

closer view of 'dmc-12'
image © designboom


'the modularity' by kyung ho chang, rear view
image © armando rafael

'the modularity', by south korean designer kyung ho chang, relies on modular structure to accommodate 'infinite variation in scale and finish',
permitting an entire line of products to be produced from the same basic components. each module consists of a curved piece of molded plywood,
surrounded by foam and upholstered. the independent elements are then connected internally to create a structural whole, raised on wooden legs.

view of 'the modularity' on display at the ICFF

'reflexion' chair by arnold chu
image © designboom

interested in infusing technology into furniture design, hong kong-born, US-based designer arnold chu uses LCD panels as 'digital upholstery'
in his mirrored chair 'reflexion'. controlled remotely by computer, the panels permit the appearance of the chair to be easily changed,
featuring images, video, or even motion-reactive graphic visualizations.

the appearance of the chair can change completely by displaying a different image or video on its embedded LCD panels
image © armando rafael

'bundle stool' by elizabeth joy wong
image © armando rafael

'bundle stool', created by american designer elizabeth joy wong, incorporates 196 squared blocks of pine with a foam foundation
that lets the chair respond to the shape of its user. each wood piece lowers proportionate to the pressure applied to it,
creating a seat that is comfortable, as well as one that challenges people's assumptions on what materials should feel like.

'chipboard stools' by dana oxiles
image © armando rafael

the 'chipboard stools' by hawaiian designer dana oxiles are composed exclusively of folded chipboard,
stabilized with a small amount of glue and coloured with analine dye. her pieces include a range of the origami-like forms,
in which chipboard is scored and bent into interlocking structural modules. oxiles explains that integral to her design
is the goal 'to elevate a humble material, so that it is read[s] as a chair before being read as sustainable'.

'folded felt table' by li-rong liao
image © designboom

having explored folding as a basis for design in medical technology and fashion, taiwan-born, US-based designer li-rong liao
adopts the profile to furniture in 'folded felt table'. the piece features a fan-folded base of a single sheet of cardboard, covered in felt.

'timbre chairs' by jesse trentadue
image © armando rafael

with 'timbre chairs', american designer jesse trentadue adapts traditional joinery techniques and rustic ash wood
to modern manufacturing processes, offering 'both a celebration and twist on the materiality and heritage of wood.'

'hk-stool' by chun chun
image © armando rafael

'hk-stool', the first furniture piece of designer chun chun, offers a minimalist interpretation
of a stool design popular in her native hong kong.

view of the exhibition during the ICFF 2011




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